crashinglybeautiful:

“Don’t you feel that reality is this enormous pinball wheel and everything is bouncing off and into everything else at one time?” he says. “Nothing is isolated.” Which must, surely, be difficult to render in fiction – don’t all those co-existing and contradictory worlds run away from him on the page? He nods. “But if it’s not hard, it wouldn’t be fun,” he says. “The adventure is the difficulty, in a way. I don’t feel that I’m fully in control of what I’m doing, and less and less as time goes on. I don’t know where the stories come from. I have no idea.” He’s emphatic as he says this, he has the air, almost, of someone protesting their innocence. “They just surge up from some hidden spot inside me, and if it feels interesting, I go.”
- Paul Auster in the interview, “From Beckett to Brooklyn” by Belinda McKeon, The Irish Times, 5 September 2009

crashinglybeautiful:

“Don’t you feel that reality is this enormous pinball wheel and everything is bouncing off and into everything else at one time?” he says. “Nothing is isolated.” Which must, surely, be difficult to render in fiction – don’t all those co-existing and contradictory worlds run away from him on the page? He nods. “But if it’s not hard, it wouldn’t be fun,” he says. “The adventure is the difficulty, in a way. I don’t feel that I’m fully in control of what I’m doing, and less and less as time goes on. I don’t know where the stories come from. I have no idea.” He’s emphatic as he says this, he has the air, almost, of someone protesting their innocence. “They just surge up from some hidden spot inside me, and if it feels interesting, I go.”

- Paul Auster in the interview, “From Beckett to Brooklyn” by Belinda McKeon, The Irish Times, 5 September 2009


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